Sheet no. 115. Larger image is fan/shell design for panel above gallery door. Along left side, detail of archway over fan, with Celtic interlinked circles, centered with florettes.
Sheet no. 211. Detail of plaster ornament runner; raised square rose panels; Celtic circular runner panels; Full scale cornice; Elevation showing stone omitted at back of altar (cross section/elevation with measurements).
Sheet no. 203. Framed scene, Christ at center greeting Mary, the Cross against his shoulder. A centurion stands behind him to the right, another sketchy figure to his left. Frame design is sketched in to upper right corner. Also measurements, notion for ""inscription." Stations were crafted by McBride Studios - New York and Pietrasanta, Italy.
Untitled. Pattern sheet for plaster ornamentation, grape clusters, vines and leaves separated by S-curves. Pattern is repeated decorating the narrow ribs cross the overhead arch of the nave. Pattern is broken by smaller rosettes half-way up each side, and at center by a large protruding florette.
Interior view of the sanctuary and nave of the Pro-Cathedral, taken before the interior was finished. (Completion of the interior was put on hold due to WWI). Walls are unfaced stone, windows have clear glass. Temporary altar is decorated with small pine trees.
View over excavation site of choir procession down into site for the laying of the cornerstone of the Pro-Cathedral of Saint Mary. Crowds watch from around edges of the hole. Current accounts note some 20,000 attended the event and preceding parade.
Building 2, sheet no. 332. Various section plans: Window, Elevation of window, cap on pier. Stamped E. L. Masqueray, Architect: Slifer, Lundie and Abrahamson, Successors.
Interior view of Basilica, Memorial Mass for Marshall Ferdinand Foch, Generalissimo of the allied forces in WWI. The mass was said the same day Foch was laid to rest at Notre Dame Cathedral in Paris. The sanctuary is hung with flags representing the allied nations. Cross and statuary are covered for Good Friday.
On the occasion of his Golden Jubilee, Monsignor James Michael Reardon poses beside Archbishop John Gregory Murray, along with a group of priests and altar boys.
Nave and Sanctuary filled with floor to ceiling scaffolding. The pews and pulpit are covered with drop cloths. Taken during restoration work, which included repainting of the ceiling and cleaning the stone, plaster and marble work by the St. Paul Statuary Company.
A full congregation of Sisters and Priests, parishioners, attend the Solemn Mass elevating the Basilica of Saint Mary to a Co-Cathedral of the Archdiocese of St. Paul and Minneapolis.
Sheet no. 8. Three separate sketches: Front elevation (4 thus); Side section details (4 thus); Plan with framing and composition grille (4 thus). Also includes detailed notes on wood for cases, woodwork finish, decoration of metal pipes and composition work.
The Choir of the Pro-Cathedral of Saint Mary poses with director Father Francis A. Missia outside the northeast door of the church. Mrs. Grace Long stands in the front row, 6th from the left.