A group of unidentified men and women painting on easels on the lawn of the Sibley House. The house, considered the oldest private residence in Minnesota, was leased to artist Burt Harwood as a studio and art school. This image is by Arthur Adams, Minneapolis high school teacher, local historian, and photographer. Adams traveled throughout Minnesota, taking photographs to augment his lectures. His studio was located at 3648 Lyndale Avenue South in Minneapolis.
Dr. Marion Nelson, art historian, poses with Dr. John Lofgren of the American Swedish Institute at the opening of the Carl Sprinchorn exhibit, Minneapolis, Minnesota.
Group of hand-colored costume renderings for the musical "Carousel" (music and lyrics by Rodgers and Hammerstein) performed at St. Cloud State University in 1988-1989. Costume designs for "Carousel" include Mrs. Mullins, Carrie, Billy Bigelow, Netti, Julie Jordan, Jigger Graigin, Enoch Snow, Enoch Snow Jr., Mr. and Mrs. Bascombe, Louise, Snow Children, Bascombe child, Snow child, Star Keeper, Heavenly Friend, Beauty of Europe, Chorus, Ballerina, Sailor dancers, Fisherman, and Townsperson.
Will Swanson and Janel Jacobson are founding potters and hosts of the Annual St. Croix Valley Pottery Tour. Both Swanson and Jacobson were photographed and interviewed as part of the 22nd Annual St. Croix Valley Pottery Tour held May 9, 10, and 11, 2014. Swanson and Jacobson's distinctive studio and home are near Harris, Minnesota.
Hilma Berglund printed this card with black ink on red card stock, then folded. Silver lines were added on the sun image. The card depicts the sun shining down on the earth.
Volume 2, number 1 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976. Contents include the Minnesota Artists Exhibition Program; proposal of various committees for MCC; report on the National Endowment for the Arts' Master Craftsman Apprenticeship Program; potter Nils Lou and apprentice Howard Kiefer; the Twin Cities Metropolitan Arts Alliance; information on services, health insurance, taxes, legal assitance, and other legal issues for artists; the formation of a gallery and studio space for the Women's Art Registry of Minnesota (W.A.R.M); and summary of the 1976 Minnesota Crafts Festival.
Volume 1, number 4 of Minnesota Crafts Council (MCC) Craft Connection was published in 1976 and is labeled the Snap Shot Show. Contents include an editorial on the art community and the artist's relation to society; a no-jury snap shot show featuring 82 slide images of works created by Craft Connection readers; and tips for taking good slide images, including information on cameras, types of lighting, lighting set up, and image storage.
Volume 1, number 3 of Minnesota Crafts Council (MCC) Craft Connection was published in 1975 and is centered around art fairs. Contents include reflections on art fairs; Nelson Brown's art fair List; personal reflections on juried art fairs; collection of thoughts on art fairs from artists; profiles of popular midwest art fairs (Lakefront Festival of Arts, 57th Street Art Fair, Ann Arbor Street Art Fair, and Minnesota Craftspeoples Festival); art fair questionnaire; Twin Cities first Street Artist Guild; order forms for a corks sale at Minnesota Clay Company; order forms for the Lien Kick Wheel from Atypical Woodwork & Design; and a review of Pyroman Meets Gorilla, a workshop with clay artists Don Reitz and Peter Voulkos.
Volume 3, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1977 and is centered around marketing crafts. Contents include a note on the publication's new logo and look designed by Jan Van Dyke; call for artists for the year's Minnesota Crafts Festival; profile of glass artist Dick Huss; profile of abstract painter and stained glass artist Eric Sealine; three craft shops (Art Crate, Behind-the-Brewery Gallery, and Stoneflower Contemporary Crafts) and their differing business approaches; The Brewery Works, a brewery complex repurposed into a studio and gallery space; profile of potter John Coiner; art gallery cooperatives The Fourth Street Gallery, Pioneer Crafts Co-op Store, and Cedar Workshop; and a report on the National Association of Handcraftsmen's marketing conference and session and workshop summaries. Also includes a newspaper insert about John Coiner.
Volume 4, number 2 of Minnesota Crafts Council (MCC) Craft Connection was published in April 1978 and is centered around collecting. Contents include a profile of jewelry artists and metalsmiths Mike and Carolyn Lenz; art and craft collecting; professional craft collecting; collections of functional ceramics; collectors in the North Lake Superior region; Art Morrison's journey collecting Mexican clay figures; and an extensive list of upcoming art fairs across the midwest.